I am used to tight deadlines and working under pressure. I am also a complete workaholic. I think the playwright program will allow me to allocate more time to myself and my writing, and give me the space to wrestle with big ideas on and off the page . . .
Becoming a Diaspora Dialogues mentee and working with Shani Mootoo is a dream come true. In my creative writing training so far, I have often found myself stranded in classes and spaces that privileged white and straight perspectives . . .
The feedback I’ve gotten from my previous instructors is that I need to “step into” my pieces more deeply. With my mentor I want to learn how to set up great scenes but also ones that carry a depth of meaning . . .
The goal is to walk away with a final draft by the end of the program as such, to have my work reviewed by professionals in the industry is critical. Feedback on its creative and structural elements further improves my ability as a writer and the quality of my existing draft, through subsequent edits . . .
Late last year, I took a leave of absence from my Ph.D in History and began living as a writer. As part of this transition, I began journaling regularly and revisiting past journal entries dating as far back as to when I was 14 or 15 years old . . .
This mentorship program is a stepping stone in my writing career. As someone who has been teaching herself the craft of short stories by reading other authors, I have been searching for one-on-one professional guidance tailored specifically to my stories for a very long time . . .
This is first time I am writing a play (outside of my youth work) so to get feedback, mentorship and to learn from those that write in the classical tradition is extremely valuable as they come in with a different set of eyes than my physical theatre/collective creation background . . .
I’m obviously very happy to have a chance to work with Nino Ricci, whose work I’ve admired for a long time. I hope to get a good solid critique about my work-in-progress, and advice on all the elements that go into making a novel: plot, structure, overall dramatic quality, characters, etc., etc . . .