I used to think that a glassy, effervescent stone, dug up from the dirt and spit-shined for song, could message the moon and undress its powers to control the sea from my pockets; that a long, cylindrical whistle, carved from soft wood and painted in earth tones, could call the birds from the south and conduct their music; that a broken watch left behind by my grandfather, could turn the tides of fortune into my waiting palms. But the undulations of the ocean remain strange and ethereal without retiring to the swoops of my hand, for tilling the land where the cattle graze takes more than a rock, a whistle, a watch, and an Ohm.
Shorthand
Blind Man View
What is it that a blind man sees? Without his sight, does it make him free? After all how can he get hurt if he can’t witness pain, How can he love if he can’t see what love contains? Fingers upon curvatures, a choice to see what’s bad Not knowing the difference between what he has and what he had Because if he can’t see what’s come and what’s left him behind Then he doesn’t know a piece is missing, not wishing to rewind But if he can’t see the bad, how will he be secure? Read a face with fingertips but someone’s heart he can’t be sure? So what exactly does a blind man see? Blots of colour, or a smudge spree? Does he see any outlines, or nothing at all? Discoloured pupils, running into walls. But when blinded, all other senses increase so much more So I guess he sees much better than he ever did before
Memory
Trees hunch over sky; skin and hard-bone cliffs. Come winter: beards of ice, grunting stone. That day I walked into surf, wore a shawl of sea spray. Still in her armchair, my grandmother wades past headlands to open ocean where waves wrestle and refract. And then farther: there, the sky is unbroken and the wind never blows. Her returning rain sews green to grass.
Trading Countries
It began with fog and headless homes. We lose sight of star-markers; streetlights burn out. This is a world of crawlspaces, children digging through mulch or gravel. The steppe-streaming sun uncoils, scalelight rasping stone. We root into baked sand for bones, pitch the worst of ourselves into river. I think that if I touch her she'd unfold into cherry blossoms, skin slipping off, hoofbeats in lieu of a pulse. I feel my own composition: apples in my throat, dry-brush ligaments. Horizon peeks from valley's end, blue-eyed. I have seen these hills on the other half of earth, centuries soaked in the land's spine.
Opening
This bar grew from stone and wood, russet and cream. Trees lean on the porch, nonchalant. I'll take what he's having. Hear: phrases sung from in-between. Strange babies, microphones desirous of lips. Buddy's car was having trouble, brakes like grinding teeth. Overhearing, someone fixed it without saying a thing. One table collects candles from the others; they divine in flames reams of words, faces Midas-oiled. Without power, the set moves acoustic. Two inscribe a circle: their voices are caves, cloisters of scarce-seen motes. Light falls far from here. Guitars've outgrown us. Drums move inward. I touch you, in the way it was before language, and my lungs brachiate into song.
Heartbreaks, Earthquakes
I have left my heart in so many places, and now I set it free to be cascaded through the violent waves, and utter bleakness of a barren sea it will float and wander to a far-away place where it may live or die it could be broken and shattered or perchance kept safe it will nestle comfortably in the great heaves of a sigh somewhere in a crowded city my heart will wander back fully restored and void of all pity making up for all the enchantment I’ve lacked until then, I shall let my heart grow spread its branches to places unknown bleed its colours and resonate an everlasting stain where it remains will prove to be home its infinite hue will stain sidewalks and sunsets promising an eternal shine the deep blues and greens, the fiery reds perhaps destined to be a failure by design